The heavy metal band Dogma, known for their nun-inspired costumes, has faced a tumultuous period with accusations of manipulation and mistreatment from former members. Three ex-members, including singer Grace Jane Pasturini (Lilith), guitarist Amber Maldonado (Lamia), and guitarist Patri Grief (Rusalka), have come forward with a joint statement, criticizing the band's management and leadership. They claim that the band's current direction deviates from its original vision, citing unilateral decisions, broken promises, and manipulation as key issues. The statement emphasizes the threat posed by the individual now controlling the project, who is not a musician, and accuses him of turning the band into a brand, exploiting artists, partners, and fans.
The former members urge fans to take action, warning against supporting a lie and emphasizing the need for transparency. They suggest refunds for those who felt misled and call for an end to the use of masks, which they believe are meant to replace individuals rather than protect their identities. The statement concludes with a powerful call to action, inviting fans to support the artists and their music, which they believe is under threat.
In response, Dogma's management issued a statement, acknowledging the online statements from former members while maintaining that the band's success is not dependent on any single individual. They emphasize the band's foundation in creativity, collaboration, and evolution, and express gratitude for the contributions of all members, past and present. Dogma reiterates its commitment to authenticity, freedom of expression, and the connection through art that defines the band.
Adding to the controversy, musician Kim Jennett has come forward with a separate account, claiming she was nearly hired as Dogma's new singer in 2024 but turned down an insulting contract. She highlights the issue of anonymity, where women are silenced and controlled by contracts, and expresses solidarity with the former members. Jennett's statement underscores the power dynamics and legal vulnerabilities faced by women in the music industry.
Furthermore, guitarist Alice Chiara (Lamia III) has addressed her departure from the band, citing issues with the U.S. tour and the lack of a work visa. She details the challenges faced during her last experience with Dogma's management, including the sudden announcement of the April tour without prior notification. These accounts collectively paint a picture of a band grappling with internal conflicts and external pressures, leaving fans and industry observers to ponder the future of Dogma and the impact of these allegations on its reputation and creative direction.
